Thursday, 8 May 2014

Module I, Chapter 4

This chapter has been fun.

Pages 48 and 49


I identified shapes from my sketchbook over a period of days, with the sketchbook both upright and upside down.  It is surprising how your eye sees different things at different times and from different aspects.

I especially like the key-like shape on the top left of page 48 (taken from the work on buttresses on page 11) and the tree trunk-esque shapes on the right of page 49 (taken from the dissection of the stained glass window on page 25).  However, for the purposes of the following exercises, I followed Siân's advice in the course book and chose an irregular shape with a curved indentation.  The shape was actually derived from the negative space behind the heads on page 27.

Page 50


The left hand side of the page shows my shape in 3 sizes, whilst on the right is the first of the required exercises with diagonal lines drawn over the shape.  

Page 51

These pages show the next two exercises.  As the shapes on the right were a bit too similar to the background, I added some extra lines to make them stand out a bit more.

Page 52

On left, new shape created by tracing shape made by 4 shapes on previous page.
On right, shape partially obscured by overlapping rectangular blocks.  I like the strength of the colours here (Inktense blocks with water) and the touch of complementary blue.

Page 53


Cut out shapes as per exercises 6 and 7.  The page had already been decorated with stamps onto a painted background.  I especially like the sample on the left.

Page 55

I love these pages, especially the one on the right.  The ochre/terracotta/black/olive green colour scheme is very pleasing.  The letter used for exercise 8 was a K, albeit a rather wobbly one.  I then remembered something I had done previously where spray paint was misted through a plastic letter stencil.  The layered effect makes for an interesting page.

Page 56

Exercise 9 on the left, wax crayon writing over negative shapes, brushed with Koh-i-noor.  Exercise 10 on the right, negative shapes worked into with wax crayon, the brushed over with Koh-i-noor.

Page 57

Exercise 11 on left.  Eye drawn into part of original shape with wax crayon, lines extended, again brushed over with Koh-i-noor.  On right, own exercise, positive and negative shapes partly obscured by torn strips.

Page 58

I found the instructions for exercises 12/13/14 a bit confusing but the one on the left is in the required style - paper folded, shape drawn over fold, paper opened out, lines extended.  Wax crayon brushed over with Koh-i-noor.  I love the hot colours in this, feels Mexican for some reason.

Page 59


Own exercise with shapes cut from two pieces of paper at the same time then replaced in the other piece.

Page 60

Again own exercises.  One on left is reverse appliqué/Mola style.  One on right is just shapes arranged randomly on coloured background.

Page 61


Exercise 15 on the right, 16 on the left.  The first time I have sewn into a sketchbook!  Quite difficult to control the free machining as the weight of the sketchbook, kept pulling the book away.  I especially like the random shapes superimposed over the linear and solid shapes in exercise 15.

All in all an interesting chapter which illustrates how far you can go with a single shape.  Also a reminder that, for me at least, creativity comes with actually doing, not just thinking!  As soon as I start doing one thing, my mind is flooded with other ideas for lots of other things which were a million miles away when I was just looking at the blank paper.  Time perhaps to go and actually start making my FOQ entry and not just thinking about it!

Module 1, Chapter 3

I found it quite difficult to think of my patterns in terms of texture but I have had a go with varying degrees of success.  It has taught me to simplify the shapes, which I think will be useful as my designs develop.

For each sample, I have given the page in the sketchbook where the source is located.  All samples in the same A4 landscape sketchbook.

Page 41


Based on roof on page 32.
For this sample I used PVA to stick matchsticks to a backing sheet.  I then stuck tissue paper over the top and coated the whole thing with white acrylic paint.  The texture was emphasised by rubbing a soft graphite pencil over the top.

Page 42


Stylised versions of windows on pages 1 to 9.
The sample on the left is made of aluminium baking foil, manipulated by hand into the right shape, then glued to a base and painted with white acrylic.
The sample on the right is made with string, glued to a base and painted with white acrylic.

Page 43


The sample top left was made by spreading a thickish layer of modelling paste onto paper and then impressing a homemade stencil into it.
The other sample is made of scrunched up tissue paper, glued to a base.

Page 44


Vaulting, pages 31 and 38.
The sample on the left was made by dribbling PVA glue onto paper.  As it dried, however, the PVA spread and merged together, causing the definition to be lost.
The sample on the right is made by wetting a piece of cotton scrim with dilute PVA, manipulating it into the desired fan shape and sticking it to a backing sheet.

Page 45


Patchwork church, page 34.
The sample on the left is made with cut up squares of adhesive plasterer's tape, stuck onto white paper.
The middle sample is a piece of heavy watercolour paper, cut to shape and stuck into the sketchbook.
The darker sample is made of Galleria Mineral Texture Gel, applied to paper then cut out.  The surface is naturally dark because of the added grit but I painted over it with Neocolour II soluble crayon and it look a lot lighter in reality.  This is a strange substance as it is clear with bits in and looks solid but in fact is very flexible, so much so that I can imagine it being used on fabric.

Page 46


Drawing, page 30.
For this sample I traced and transferred the drawing of the nave onto heavy watercolour paper.  I then cut out the individual shapes and trimmed them a little before sticking them back down.  I got the idea for this technique from Gloria Loughman's book "Quilted Symphony".

Page 47


This was a random design made using the negative shapes left after cutting out the shapes on page 46.